Tutorial realized past ARTUNIVERSE (Antoine Dacheville)

Hello, nosotros will find in this new photo tutorial how to brand a Spiderman drawing in the realistic style. This tutorial is related to the previous 1, concerning the greyness slope with the GRAPHIT Brush range. So don't hesitate to accept a look at it beforehand.

Realistic drawing is what I prefer to work on. Not only because it takes a lot of time but likewise because it is a cartoon way that requires a lot of techniques. We volition detail them in a progressive way throughout this tutorial. To your markers!

The first thing to practice is to use a pencil. I apply a 0.5mm steel criterium to simply profile my Spiderman. I imagine my face, the posture of the arms and body. I take intendance to accept a light trace so that I tin erase without difficulty if necessary. I likewise trace the positioning of the eyes. Take your time to practice the pencil. This is a very important step before starting inking and coloring.

Once I know pretty much how my Spidey is going to be, I make a start sketch of the eyes. Again, I use a light layout because I know I volition have to work on this area later.

I also make up one's mind (as usual), to make a frame around the character. At that place are several reasons for this choice: ane- I easily ascertain the area to colour, 2- it allows me to make a background and clothes my drawing, 3- making a groundwork allows me to highlight the white of the cartoon and thus to appear more existent.

TIP: To brand a frame that does not "crush" your character, highlight areas like Spiderman's head protruding from the background. It also gives perspective.

Then we can start working on the start details of the costume. I offset with the eyes, which in the film are expressive and tin move. It is therefore necessary to mark this "engineering science" with features similar this. We will give it some relief subsequently.

At present comes the near delicate step of the pencil: to make the features of the costume. They must non exist directly because information technology is necessary to give an impression of book. Then make a first line then move frontwards gradually until you have finished the vertical lines. Once that is done, we can do the horizontal ones.

NOTE: What differentiates Spiderman Homecoming'southward costume from others (Spiderman of 2002, The Amazing Spiderman…) is that the horizontal lines are more than spaced from each other. So remember not to want to do too much. The ideal is to stay in what is called "authentic", i.e. every bit shut as possible to the version of the picture show.

Still to remain faithful to the film, information technology is then necessary to split the vertical lines, like this.

You can then go back by pushing a little more on the horizontal lines.

Nosotros volition now work on the background. I chose to color my background with a dark imperial 6180 with a marker from the MARKERS range. This choice of marker is explained past its rectangular tip which will facilitate my passage effectually the frame of my bottom. So I will take a straight line.

I get-go by inking just the outside of my Spiderman and the outline of my groundwork, in order to delimit my surface area to color.

And so I color by taking care not to overtake on our graphic symbol. Have a confident line and take your time.

Then I can actually attack the Spiderman. I first with the eyes by simply inking the lines of my pencil.

I will color my optics with the Neutral Grayness BRUSH range in lodge to accept an extra fine tip for short shades.

Every bit for the tutorial on gradient in gray tone http://world wide web.graphit-mark.com/blog/tutoriel-degrade-de-gris/, I start with the darkest area and go to the lightest surface area. I apply the actress fine tip throughout the process.

In one case I have a visual of my gradient, I go further with the black.

I end upwards giving relief past passing slightly with a white GRAPH'Information technology SHAKE 0.7mm.

Finally, I also color the inside of the eyes with the brush tip using the 9500, 9501 and 9502. I keep in listen my contrast zone to be consistent with the play of light. I do the same for the right centre.

Then it's time to move on to the costume. I start past inking my "web" features of the costume.

I apply the aforementioned "rule" for my grayscale.

I will utilise iv markers to get a pink relief by grading from ruddy to pink.

Of grade, you tin do without reflection and in this case use only 5250 and 2170.

I acquaintance the 5250 with the darkest areas, and the 2170 with the lightest areas. Here is an example on the acme of the mask:

To brand the pink reflection, I go back to the outermost corner of the mask with beginning the 5160 and so the 5125.

In this final movie, you can see that I voluntarily get out a white area on the mask. We find hither our play of light with a gradient going upward to white through a pink reflection. I'll do the same thing on the whole right side of Spiderman.

Let's get downwards to details! To give texture to this costume blueprint (Homecoming style), I cull to brand small, tight circles using a ruby-red BIC. Here's the thought:

This is a very long only very important footstep, especially to obtain a realistic rendering. I exercise these details on the mask and likewise on the whole costume so… to your pens! This is the rendering:

Then, I complete the shades of my mask by adding a lilliputian more grey over ruby and besides an addition of white with the 0.7mm SHAKE.

Annotation: Remember that white is crucial for your drawing to exist realistic. That'due south why I similar to make important contrasts, especially on Spiderman'south correct side.

I'm taking back everything we did before with the suit.

I also do the same black/grey gradient technique every bit for the eyes with the black parts of the arrange, as hither with the black part of the shoulder.

We can move on to the last part with the blueish part of the suit. Here are the markers I will use:

I start past coloring a first base of operations at 7150.

Then I complete with the 7125 and 7105.

I then take back the whole of my gradient using the same markers but leaving with a darker marker, the 7175.

I colour until I become a good mix of colours among them.

Then, I apply the same type of details as for the red part, i.e. with circles but with the bluish BIC this time.

Finally, I add together white details with the SHAKE.

TIP: You tin can tap with your finger once you accept made a point with the white SHAKE. Information technology will mistiness the white and alloy information technology into the blue.

Here is the final motion-picture show of my drawing of Spiderman:

It took me almost 10 hours to do it, on A4 Bristol paper.

We have therefore seen through this tutorial different techniques to create relief, depth and textures for a realistic result. I illustrated the realistic drawing with Spiderman but each character has a dissimilar technique, because the costumes are not the same (different details, textures…) just concerning the colour gradient you will ever discover the same base.

Here is another work, washed with the aforementioned techniques equally higher up, on a 50x65cm format with 36 hours of drawing.

Skilful luck with your cartoon!